I am in love with James McAvoy. In the past two weeks I have watched him in Macbeth, Penelope, Becoming Jane (on the way to Amsterdam and the way back), and Antonement. And now I'm going to blog about him. Not because anybody in the blogosphere cares, but because perhaps James McAvoy will read this, realize that I'm not only in love with him but am also a wildly talented film critic, and decide he wants to (leave his wife and) and take up with me.
James McAvoy is one of the great Scottish actors of our time. (And one of the only...? I can only think of about five Scottish actors right now.) His talent seems superior to that of his directors, as well as whoever decided what his hair should look like in the above films. He can flare his nostrils and pop the veins out on his forehead on cue. I stand mightily impressed.
The real beauty of James McAvoy is that he can go from being totally hot...

To totally not...

...before you can say "haggis".
MacBeth (part of the Shakespeare Retold series) is surprisingly good. James McAvoy plays a chef and does a really horrifying demonstration with a pig's head. The film is really bloody and violent, but this is mainly because much of it takes place in a restaurant kitchen. It's definitely worth seeing if you're a omnivorous foodie, if only to remind you of how distanced we are from our food. Another point in the film's favour is that James McAvoy has a Scottish accent. God, I could listen to a damn Scottish accent all day.
Though he's Scottish, he's had an English or American accent in all the other movies I've seen him in. I really don't know the point of the American accent in Penelope as there are many randomly British characters. The most interesting thing about Penelepe, besides Christina Ricci's prosthetic pig nose, is the set design. Her bedroom is amazing. It's kind of Willy Wonka-meets-Anthropologie. James McAvoy's flat oozes melancholy masculinity with dark oily wood and old leather. Mmm... Yummy!
Becoming Jane is a must-see for all those people who have seen all the Jane Austen adaptation--if only because you have, like myself, seen all those like 50 million times and you need to mix it up a bit. Anne Hathaway's possibly a bit too... eager, but fairly convincing nonetheless. (Convincing enough that I went out and bought myself a damn dip pen.) Be prepared to spend some time arguing with yourself about whether Anna Maxwell Martin is pretty or not. James McAvoy is, of course, amazing! He is most notably hot when boxing. His nearly translucent Scottish skin and wiry muscles are like an Eakins painting come to life. Watching him frolick about in whorehouses and fields with Joe Anderson is almost too good for this life.
Atonement was surprisingly long and dull. The first part of the movie is completely dominated by gratuitous close-ups of Keira Knightley's face. After the sex in the library (WHOOPS! SPOILER ALERT!), the whole thing really goes downhill. Quite literally, actually, as James McAvoy is pretty much walking about for the remainder of the film. As in Becoming Jane and Penelope, he's entirely convincing as totally masculine, yet totally sensitive. He's everything you want in a man, really: highly intelligent, wicked sense of humour, strong sense of duty, loyal, deeply passionate, and coordinated enough to ravage you on a bookshelf.
I cannot wait until Wanted comes out. This movie involves three of my favourite things: James McAvoy, Morgan Freeman, and things blowing up. Unfortunately, it also features Angelina Jolie and her somewhat grotesque mouth.